She was invited on several occasions to the house of Amin Beh Al Mahdy, who taught her how to play the oud. Her funeral was attended by over four million mourners — one of the largest gatherings in history — and descended into pandemonium when the crowd seized control of her coffin and carried it to a mosque that they considered her favourite, before later releasing the coffin for burial. At one point the Egyptian musicians guild of which she became a member and eventually president rejected her because she had sung for the then-deposed king, Farouk of Egypt. Health problems plagued the singer most of her life. Amin Al Mahdy introduced her to the cultural circles in Cairo. In the late 1960s, due to her age, she began to shorten her performances to two songs over a period of two and a half to three hours. It was the first of six motion pictures in which she was to act.
In the midst of the turmoil created by two world wars, the of the 1930s, and the 1952 Egyptian revolution, she a public persona as a patriotic Egyptian and a devout Muslim. بث حفل نادر لأم كلثوم. A typical improvisatory technique of hers was to repeat a single phrase or sentence of a song's lyrics over and over, subtly altering the emotive emphasis and intensity each time to bring her audiences into a euphoric and ecstatic state. Unfortunately, our editorial approach may not be able to accommodate all contributions. Tests at that time indicated that her illness was incurable.
By 1948 her fame had come to the attention of Gamal Abdel Nasser, who would later become the president of Egypt. In addition, Kalthoum had been a dedicated Egyptian patriot since the time of King Farouk. Beginning in 1937, she regularly gave a performance on the first Thursday which in most Islamic countries is the last day of the workweek of every month. When she was twelve years old, her father disguised her as a young boy and entered her in a small performing troupe that he directed. It was his favour that made the musicians' guild accept her back into the fold. There they were perceived as old-fashioned and countrified. In 1967 Kalthoum was diagnosed with a severe case of nephritis.
At a young age, she showed exceptional singing talent. Umm Kulthūm, also spelled Oum Kulthoum or Om Kalsoum, born May 4, 1904? Most obviously, problems with her eyes purportedly from years spent in front of stage lights forced her to wear heavy sunglasses, which became a hallmark during her later life. You can make it easier for us to review and, hopefully, publish your contribution by keeping a few points in mind. Umm Kulthūm made a name for herself in the towns and villages of the Egyptian delta an area throughout which she retained a great following. In 1936 she made her first motion picture, Wedad, in which she played the title role.
She moved to the United States, where she benefited for some time from the advanced medical technology, but in 1975, upon re-entering her home country, she required hospitalisation due to declining health. Her songs deal mostly with the universal themes of love, longing and loss. . Furthermore, she was introduced to the renowned lute virtuoso and composer Mohamed El Qasabgi. Such was her popularity that news of her death provoked a spontaneous outpouring of hysterical grief, and millions of admirers lined the streets for her funeral procession. To improve her image and acquire sophistication, Umm Kulthūm studied and poetry from accomplished performers and literati and copied the manners of the ladies of wealthy homes in which she was invited to sing. She developed a very close relationship with Rawyeha Al Mahdy, daughter of Amin, and became her closest friend.
The duration of her songs in performance was not fixed, but varied based on the level of emotional interaction between the singer and her audience. كلمات: احمد رامى ألحان: رياض السنباطى إنتاج: 1949 ---------------------------------------- ------- ياللى كان يشجيك أنينى كل ماأشكى لك أسايا كان مناى يطول حنيني للبكا وانت معايا حرمتنى من نار حبك وأنا حرمتك من دمعى ياما شكيت وارتاح قلبك أيام ماكنت أبكى وانعى عزة جمالك فين من غير ذليل يهواه وتجيب خضوعى منين ولوعتى فى هواه فضلت احافظ على عهدى واسقى الوداد دمع عينى لما الزمان ضيع ودي وطول البعد على صبحت أحب الحب من بعد عشق الحبيب اهنى كل قريب واواسي كل غريب اضحك مع الفرحان وابكى مع الباكيين وأبات وانا حيران أضحك وابكى لمين وفضلت أعيش بقلوب الناس وكل عاشق قلبى معاه شربوا الهوى وفاتوا لى الكاس من غير نديم أشرب وياه ياللى بكاى شجاك وسمعت لحن الغزل من طول انيني ياما بكيت من جفاك وضحك لى طيف الأمل من بين جفونى لما نسيني رضاك والبعد ط. At the age of sixteen she was noticed by Abol Ela Mohamed, a modestly famous singer, and by the famous oudist Zakariyya Ahmad, who invited her to Cairo. This intense, highly personalised creative relationship was undoubtedly one of the reasons for Kalthoum's tremendous success as an artist. She was one of the most famous Arab singers and public personalities of the 20th century. El Qasabgi introduced Kalthoum to the Arabic Theatre Palace, where she would experience her first real public success. By the time she was a teenager, she had become the family star.
She gave her last concert at the Palace of the Nile in 1973. Your contribution may be further edited by our staff, and its publication is subject to our final approval. Her extremely successful career in commercial recording eventually extended to radio, , and television. We welcome suggested improvements to any of our articles. At this point in her career, she was introduced to the famous poet Ahmad Rami, who wrote 137 songs for her.
Kalthoum even attended Rawheya's daughter's wedding, although she has always tried to avoid public appearances. Sometime about 1923 the family moved to , a major centre of the lucrative world of entertainment and emerging mass media production in the. She died 3 February, 1975. She learned to sing from him, and, when he noticed the strength of her voice, he began taking her with him, dressed as a boy to avoid the opprobrium of displaying a young daughter onstage. She soon made a name in the homes and salons of the wealthy as well as in public such as theatres and cabarets. After defeat in the of June 1967, she toured Egypt and the broader Arab world, donating the proceeds of her concerts to the Egyptian government.
Oum Kalthoum was born in Tamay ez-Zahayra village in El Senbellawein, Dakahlia Governorate, Egypt. Rami also introduced her to French literature, which he greatly admired from his studies at the Sorbonne, Paris, and eventually became her chief mentor in Arabic literature and literary analysis. Her father, an Imam, taught her to recite the Qur'an, and she is said to have memorised the entire book. In 1932 her fame increased to the point where she embarked upon a large tour of the Middle East, touring such cities as Damascus, Baghdad, Beirut, and Tripoli, Lebanon. She died in a Cairo hospital on 3rd February 1975. By the mid-1920s she had made her first recordings and had achieved a more polished and sophisticated musical and personal style.
Her birth date is controversial, either 31 December 1898, 31 December 1904 or 4 May, 1904. She waited until 1923 before accepting the invitation. A typical concert consisted of the performance of two or three songs over a period of three to six hours. By the end of the 1920s, she had become a sought-after performer and was one of the best-paid musicians in Cairo. Her strong and voice and her ability to fashion multiple of single lines of text drew audiences into the emotion and meaning of the poetic lyrics and extended for hours what often had been written as relatively short. By this time she had moved from singing religious songs to performing popular tunes—often in the and accompanied by a small traditional orchestra—and she became known for her emotive, passionate renditions of arrangements by the best composers, poets, and songwriters of the day. Her popularity was further by her generous donations to Arab causes.